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OnthemorningofSeptember11,2001,PaulMcCartneywasinNewYorkCityonanairportrunwaywaitingtoflytoBritain.Asheabsorbedthenewsoftheunfoldingtragedy,hewondered,“WhatcanIdo?”Theanswer,ofcourse,layinmusicbbb McCartneyreachedouttomasterdocumentarianandlong-timefriendAlbertMaysles,invitingMayslestodocumenthispersonalexperienceson16mmblackandwhitefilm,aformatseldomusedinthedigitalagebutofprovenenduranceandartisticquality.OverseveralweeksinOctober2001,Maysles’camerafollowedMcCartneyashepreparedforTheConcertforNewYorkCity,abenefithehelpedorganizetoupliftNewYorkCityduringthisperiodofuncertaintyandvulnerability.Thefootagewentunseenforyears,requiringthepassageoftimetobeputinperspective.Now,tenyearslater,Maysles,hisdirectingpartnerBradleyKaplanandeditorIanMarkiewiczhaveemergedwithanintimateworkthatexplorestheroleofartandartistsinatimeofcrisis.
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